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Tuesday, 13 October 2026
Art of the Chalk Landscape
James Russell

Between the world wars a group of British artists explored the downland of southern England, finding in the ancient landscapes of Sussex and Wessex inspiration for modern paintings. Eric Ravilious and fellow artists Peggy Angus and Tirzah Garwood, William Nicholson, and John and Paul Nash led the way, choosing not only to work but in some cases also to live among the chalk hills.

It was not only artists who were fascinated by the chalk hills. Between the wars around forty Iron Age hillforts were excavated by archaeologists as the nation was gripped by a mania for prehistory, a passion for the past fuelled by modern innovations. On the one hand aerial photography brought downland sites to life in a new way. On the other, motor cars and buses enabled people to explore the hills, guidebook in hand, box brownie at the ready.

Lecturer Biography:

Having studied History at Pembroke College, Cambridge, James Russell enjoyed a lengthy stint selling contemporary paintings and sculpture in Santa Fe, New Mexico, an experience that inspired him to begin writing and lecturing on 20th century art. Of his dozen or so books, one was a Sunday Times book of the year, while his writing has been described by critics as 'insightful', 'informative' and 'enjoyably readable'. James has curated major exhibitions at Dulwich Picture Gallery and for museums around the country. He bases his lectures on wide-ranging original research into the subjects that fascinate him.

Image: The Westbury Horse (watercolour) by Eric Ravilious 1939 (out of copyright)


Tuesday, 10 November 2026
The Roots of Jazz
Emma Johnson

In this talk, Emma, an internationally acclaimed clarinettist, will look at the part African Blues and Cakewalk, American Classical and Vaudeville, Latin American Dance, and Middle Eastern Klezmer all played in the story of jazz. New Orleans at the end of the 19th century was a busy port welcoming ships and sailors from all over the world bringing with them many diverse styles of music. It was also one of the few places in America where the music of the slave population was not just tolerated but openly enjoyed by black and white communities alike. In this Creole crucible it was not long before such a kaleidoscope of musical traditions would come together, react and evolve into an exciting new music which would revolutionise and democratise culture, namely jazz. Jazz's evolution didn't happen overnight of course and along the way we will enjoy some of the greatest musical artists of the twentieth century: Louis Armstrong, Benny Goodman, Artie Shaw, Ella Fitzgerald and Duke Ellington to name but a few.

Lecturer's Biography:

With 30 CDs to her name, Emma Johnson is one of the few clarinettists to have performed as a soloist all over the world.

She also enjoys giving talks about music - Woodwind Wizardry and The Poet John Miltonwere both broadcast by BBC radio and she has lectured about composers Gerald Finzi and Malcolm Arnold for the internet company Tonebase, as well as about Schubert and Brahms for Martin Randall Travel.

Johnson studied Music and English at Pembroke College, Cambridge University, where she was the first woman to be made an Honorary Fellow. She was honoured by the Queen with an M.B.E. in 1996.

Her charity, the Emma Johnson Music Foundation, gives workshops in primary schools to introduce children to instrumental music. 

Image - Louis Armstrong


Tuesday, 08 December 2026
Notre Dame de Paris - its Iconic Status in French History
Carole Petipher

In December 2024, Notre Dame Cathedral in Paris, often referred to as the Soul of the City, reopened to the public after a devastating fire had threatened to destroy it 5 years earlier. There had never been any doubt as to whether to restore or not. However, a seemingly impossible target had been set by the French President to rebuild; huge sums of donated money and teams of expert restorers ensured the timescale was met. Such is the symbolic power of this cultural icon in the psyche of the French people and indeed people beyond. In this lecture Carole explores the cultural significance of Notre Dame through the ages and what makes it so special.

Lecturer Biography:

Carole is an experienced guide and lecturer on combined history and art tours in France with 20 years experience. Having lived and worked on a number of bespoke river vessels and converted barges there she has used them as a platform from which to research her lectures. She uses art in all its guises to explore the characters who shaped France and likes to delve behind the scenes to discover hidden truths. She also acts as a guide for a privately owned ancestral home in her native Chilterns.

Image - Notre Dame by Maurice Utrillo (1909)

Click here for previous lectures

13 October 2026Art of the Chalk Landscape
10 November 2026The Roots of Jazz
08 December 2026Notre Dame de Paris - its Iconic Status in French History

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Lecture: Art of the Chalk Landscape Lecturer: James Russell Tuesday 13 October 2026

Between the world wars a group of British artists explored the downland of southern England, finding in the ancient landscapes of Sussex and Wessex inspiration for modern paintings. Eric Ravilious and fellow artists Peggy Angus and Tirzah Garwood, William Nicholson, and John and Paul Nash led the way, choosing not only to work but in some cases also to live among the chalk hills.

It was not only artists who were fascinated by the chalk hills. Between the wars around forty Iron Age hillforts were excavated by archaeologists as the nation was gripped by a mania for prehistory, a passion for the past fuelled by modern innovations. On the one hand aerial photography brought downland sites to life in a new way. On the other, motor cars and buses enabled people to explore the hills, guidebook in hand, box brownie at the ready.

Lecturer Biography:

Having studied History at Pembroke College, Cambridge, James Russell enjoyed a lengthy stint selling contemporary paintings and sculpture in Santa Fe, New Mexico, an experience that inspired him to begin writing and lecturing on 20th century art. Of his dozen or so books, one was a Sunday Times book of the year, while his writing has been described by critics as 'insightful', 'informative' and 'enjoyably readable'. James has curated major exhibitions at Dulwich Picture Gallery and for museums around the country. He bases his lectures on wide-ranging original research into the subjects that fascinate him.

Image: The Westbury Horse (watercolour) by Eric Ravilious 1939 (out of copyright)